Review: Gatz, Elevator Repair Service
It took Elevator Repair Service ten years to develop and get the rights to perform The Great Gatsby by F Scott Fitzgerald, and this verbatim-read version, Gatz, is the result. Performing at the Noel...
View ArticleReview: Motor Show, LIFT Festival
In a dusty forgotten part of Greenwich, set against the backdrop of Canary Wharf and the financial district, Motor Show is being driven for a sold-out audience. A hybrid of performer/car dance, this...
View ArticleReview: The Dark Side of Love, Roundhouse
I’m an emotional person, this much I know about myself, but when it comes to theatre I have developed a heart of stone. I’ve spoken previously about how music can make my heart swell, but when it comes...
View ArticleReview: Ganesh Versus the Third Reich, Stratford Circus
Ganesh Versus the Third Reich, as part of LIFT Festival, sees the return of Back to Back Theatre, the Australian company that brought Food Court to the Barbican in 2010. Working to provoke and inspire...
View ArticleWhat is the Future of Digital for the Arts: Series 1 – Understanding
The use of digital in the arts feels like a given now for both arts organisations and audiences alike. Whether we’re making work for digital platforms, integrating technology into our performances or...
View ArticleWhat is the Future of Digital for the Arts: Series 2 – 2013’s Strategies
In the first part to the Future of Digital for the Arts series digital arts professionals from across the theatre industry shared their opinions on what they thought the future of digital could mean...
View ArticleReview: Gatz, Elevator Repair Service
It took Elevator Repair Service ten years to develop and get the rights to perform The Great Gatsby by F Scott Fitzgerald, and this verbatim-read version, Gatz, is the result. Performing at the Noel...
View ArticleReview: Motor Show, LIFT Festival
In a dusty forgotten part of Greenwich, set against the backdrop of Canary Wharf and the financial district, Motor Show is being driven for a sold-out audience. A hybrid of performer/car dance, this...
View ArticleReview: The Dark Side of Love, Roundhouse
I’m an emotional person, this much I know about myself, but when it comes to theatre I have developed a heart of stone. I’ve spoken previously about how music can make my heart swell, but when it comes...
View ArticleReview: Ganesh Versus the Third Reich, Stratford Circus
Ganesh Versus the Third Reich, as part of LIFT Festival, sees the return of Back to Back Theatre, the Australian company that brought Food Court to the Barbican in 2010. Working to provoke and inspire...
View ArticleWhat is the Future of Digital for the Arts: Series 1 – Understanding
The use of digital in the arts feels like a given now for both arts organisations and audiences alike. Whether we’re making work for digital platforms, integrating technology into our performances or...
View ArticleWhat is the Future of Digital for the Arts: Series 2 – 2013’s Strategies
In the first part to the Future of Digital for the Arts series digital arts professionals from across the theatre industry shared their opinions on what they thought the future of digital could mean...
View Article
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